We Need More Aspirational Art

Art holds a mirror to society.

Through stories we see aspects of ourselves and the world we live in. The Circle shows us a world where social media becomes ubiquitous and inescapable. The Fifth Season quietly highlights the bubbling fury of institutional oppression and racism. Neuromancer blurs the relationship between people and technology. Every time, these dark stories end in tragedy. A mirror that reflects a dark and cruel world where people in power serve themselves and sacrifice others without a second thought. 

These stories keep us grounded. They keep us connected to how the world really works. 

They’re also a self-fulfilling prophecy. Too many sad stories about an irredeemable world and people start to believe it. In a world with no principles, staying committed to a moral fiber becomes the losing move. We become cynical and jaded. Once a community stops protecting one another and each individual focuses on fending for themselves, it stops being a community.

But it doesn’t have to be that way. A mirror doesn’t have to highlight our worst instincts, it doesn’t have to reflect our darkest selves. It can do the opposite. It can show us our best selves, an aspirational vision of who we wish we were. Stories of idealists like Mr. Smith Goes to Washington, or of a new society like the utopian days of early Star Trek.

We need more aspirational stories.

In 1986, Star Trek: The Voyage Home, transparent aluminum was introduced as a curious futuristic invention. A novelty. But not to the chemists and engineers that watched that movie. Transparent aluminum now exists, a case of life imitating fiction. It’s not the only time this has happened. Mobile phones, tables, and voice controlled computers were all first Star Trek tools before they became our reality.

The opposite is just as true. War of the Worlds told the story of a highly advanced alien invasion involving chemical warfare, lasers, tanks, and aircraft. Fifteen years later, we saw almost all these inventions in WW1. Squid Game told the story of increasingly desperate contestants in a lethal competition, now the competition is a real game show (except for the lethal part).

We underestimate the power of collective thought. A politician achieves their ambitions by convincing enough people something is possible. A stock rises or falls not based on the company’s performance, but its perception. If an expert tells a country they are in decline, it becomes true.

So what happens when the only stories we tell of the future are dark and cynical? Black Mirror stops being a warning and instead becomes a checklist. Every person sees every other person’s action in the worst possible light. Billionaires take notes on dystopian stories and program them into their product. The scientists that grow up on these stories fear the consequences of their inventions.

In 2023, Alexander MacDonald, NASA’s chief economist said about the impact of sci-fi writers. “We don’t go to space because we have the machines. We go to space because we have a culture of people who are inspired to build the machines.”

We need science fiction stories that imagine and inspire, that tell the stories of heroes saving the day and technologies that transform life in the most wonderful of ways. Most importantly, we need sci-fi stories that dream of a bright future.

But this isn’t just a problem with science fiction, it extends into fantasy and thrillers and mystery and every other genre. We keep telling stories about vigilante superheroes in corrupt societies. What about the leaders that shine a light on corruption and fight to make things better? Instead of cynical wheeling and dealing in the west wing, what about an idealist that manages to get a piece of impossible legislation passed because they inspire their peers?

It’s something I’ve been wanting to adjust in my writing. I want to dream of a better world and a better universe. I want to know that the stories I write inspire a materials scientist thirty years from now to invent bendy glass, or bouncy steel, or non-toxic mercury.

We’ve spent a long time critiquing the present. For incremental change, critique is incredibly important. It keeps us moving forward. But it won’t be revolutionary. It won’t reinvent how we live.

The only way for that to happen is for us to change the types of stories we tell ourselves. Fill the world with moral, upstanding heroes by telling stories of moral, upstanding heroes. Advance technology to improve the human experience by telling stories of technology that improves the human experience.

It’s naive. It’s idealistic. But that’s what storytelling is for. For us to one day live in a utopia, we first have to imagine it.

There’s a Tragedy Hidden in Confucius’ Analects

The night after I read Confucius’ Analects, I slipped into something of an existential crisis. Nothing big, just your standard reassessment of life direction. The thing is, as much as I had enjoyed reading all the wisdoms, I really didn’t think they’d have an impact. So why was I pacing my kitchen at 10pm lost in thought?

The Analects are a collection of Confucius’ wisdom. Every line reads like a riddle, a clever metaphor with multiple meanings that only become clear after careful contemplation. 

Turns out, those lines weren’t written for people to read them in isolation. Half of The Analects are the oral tradition that goes along with. Two thousand years of teachers passed down context and analysis from one to the other that explains why Confucius takes so many potshots on the kingdom of Lu while praising music from the Shao. Thankfully my copy included much of that analysis, which turned the reading into a fun wisdom puzzle book. I’d read a line, consider it for a minute, then get a full answer from the analysts.

It ages surprisingly well, too. Much of the wisdom is on cultivating a moral approach to life, surrounding yourself with other moral people, and leading from the top-down to reshape a state. Any advice on how to appropriately serve your ‘lord’ easily extends to dealing with a boss at work, and it turns out ‘petty’ people are just as common now as they were in 500BCE.

In the early chapters, I studied each line like a student cramming for a test. This turned out to be unnecessary, as each meaningful piece of wisdom is repeated, reworded, and taken from multiple angles throughout the book. It’s a layering approach that slowly paints Confucius’ vision of appropriate behavior onto your mind through carefully paced character studies and metaphors.

Storytelling is an absolutely key aspect of The Analects. Confucius’ disciples are analyzed one by one throughout, their virtues and vices made clear. Zhong Yu, despite all his positive traits, was impetuous. Despite The Master making multiple interventions, he eventually dies in battle. His passing serves a lesson. A practical example of what happens when you allow certain character flaws to dominate your way of dealing with the world. A tragedy.

Zhong Yu is the most obvious of the tragedies in The Analects, but there’s one that’s far more resonant. The story secretly woven through the entire book. The story that made me run circles around my table in the middle of the night. One character that was present through the whole analects and whose life taught the most important moral of all.

Confucius himself.

By the time The Analects were assembled, Confucius had slipped into legend. The last few sections of the book talk about him as one with the sun and the moon. Down the line, he’s deified. But in the first half of The Analects, he’s a person. A wise person with a whole lot of followers, but a person. And he can’t find a job.

One of the central tenets of The Analects is that leaders shape the morality and culture of the people they are leading. A great minister can shape a state into a moral and upstanding place free of crime. I love this, and I tend to believe this idea extends into the modern day through corporations. A corporation run by a corrupt CEO will inevitably see their own behavior reflected back at them through their employees.

If you accept this statement as true, then talented scholars have an obligation to make every effort to put their talents to use. It’s a cruel world, but you can personally help reshape it by climbing the ladder and showing others the way.

Confucius wants to be hired. That’s his character arc in The Analects. He’s already learned and wise and kind and talented. The only thing missing is the opportunity to put those ideas to work. When he laments his unemployment, it pulls at your heartstrings that someone with so much vision is unable to apply it.

In the later sections, he encounters recluse scholars on the road. Wise men with perhaps as much understanding of the world as Confucius who, rather than taking on the challenge of leadership, retreated into isolation. They encourage him to give up, they tell him his dream of a moral world is an impossible one.

Despite this. Confucius persists. He pushes through the relentless rejections and cajoling of the recluse-scholars. It makes him the hero of the story. A person willing to take on the impossible day after day in the hope he will one day be given the opportunity to reshape the world into a better place.

But The Analects isn’t an uplifting story. It’s a tragedy. Confucius fails. He goes his whole life without the chance to reshape a state into his moral vision.

Yet his wisdom persists. A second chance at Confucius’ vision. A chance for the reader to step up where The Master failed.

This was why I was pacing my kitchen in the middle of the night. Confucius’ tragic failure haunted me and his wisdom echoed in my head. Go out. Apply yourself. Chase opportunity so that one day you can fulfill The Master’s dream of reshaping a piece of the world.

When I went into The Analects, I expected wisdom and wisdom alone. If I was lucky, it would give me a new perspective on how I interacted with others. Instead, I was told a story that tugged on my heartstrings. A tragedy that painted an aspirational vision of a more moral world. Then at the end, I was told the only way to make it happen was to do it myself.

Check out my Post on Neuromancer and the Origins of Cyberpunk!

Cyberpunk is one of the most widespread and beloved genres today, stretching into movies, games, and books. But where did it come from and why does every story in the genre feel both original and derivative? It all goes back to a small set of roots, and one transformative story. Neuromancer.

Check out my article on Guild Master Gaming: https://guildmastergaming.blogspot.com/2025/11/neuromancer-and-genesis-of-genre-by.html